Showing posts with label Patterns. Show all posts
Showing posts with label Patterns. Show all posts

Monday, July 24, 2017

Rod Serling

Rod Serling


My man, Rod Serling -- tops.

One of television's brightest, most literate pioneers and a true believer in the medium, Rod Serling was known as the "angry young man" of Hollywood early on in his career, clashing with studios and sponsors in his quest to loosen the corporate grip of censorship and write freely on controversial topics.

The man would maintain that outspokenness as an artist and a thinker throughout his career. Today, the acclaimed writer is most revered for having had the ability to produce works of drama that probe the human psyche in an imaginative and thoroughly unique way, many demonstrating a deep love for humanity and the belief in the possibility of a better tomorrow.

From "The Twilight Zone" to "Night Gallery" and everything before and after, here are some fascinating facts about Rod Serling.

HE FOUGHT IN WORLD WAR II.

Serling enlisted in the U.S. Army the morning after his high school graduation. He served with the 511th Parachute Infantry Regiment of the 11th Airborne Division. Sent to the Pacific Theatre, Serling fought on the Philippine island of Leyte, was part of the force that took Manila back from the Japanese and later was assigned to the occupation force in Japan. Among his military decorations are the Purple Heart, the Bronze Star, and the Philippine Liberation Medal.

HE WAS A BOXER.

Having always had an interest in sports, Serling became a boxer while training in the Army. Rising to the second round of the division finals before being knocked out, he competed as a flyweight and had 17 bouts. Serling suffered a broken nose in both his first and last bout.

HE PARTICIPATED IN INSANELY DANGEROUS AIR FORCE EXPERIMENTS.

While in college, Serling made extra money testing equipment for the United States Air Force. Some of the parachute jumps and other experimental tests were so hazardous that he would be paid anywhere from $500 to $1,000 per stunt, sometimes being paid half up front and promised the other half if he should survive.

HIS FIRST WRITING ACCOLADE CAME IN COLLEGE FOR A RADIO SCRIPT.

The budding writer submitted a script to the annual writing contest of radio program, "Dr. Christian." Of the thousands submitted, Serling's script was one of the few selected for broadcast. He won a trip to New York City and $500 for "To Live a Dream." Another winner was Earl Hamner, Jr., who would go on to write scripts for "The Twilight Zone."

HIS FIRST BIG HIT WAS A LIVE TELEVISION PROGRAM CALLED "PATTERNS."

Serling's big break came in 1955 when the freelance writer's 72nd script was chosen for a live television broadcast on the nationwide "Kraft Television Theatre." The episode was called "Patterns" and dramatized the power struggle between a veteran corporate boss and a bright young executive. While Serling didn't think the script was anything special, after the program's broadcast his life would never be the same.

HE WAS A STAUNCH OPPONENT OF CENSORSHIP.

The early years of television were beset by stifling corporate censorship. Looking to circumvent the watering down of his social and political commentary, Serling devised the plan of creating his own show that would employ a science-fiction format, a format that would allow the exploration of ideas thought too controversial for reality-based drama. This, of course, was the genesis of "The Twilight Zone."

THE FIRST "TWILIGHT ZONE" EPISODE WENT TO "DESILU PLAYHOUSE."

When Serling submitted a script to CBS as the pilot pitch for "The Twilight Zone," the network gave it to "Westinghouse Desilu Playhouse." The 1958 episode, "The Time Element," featuring a man plagued by vivid nightmares and a quintessentially "Twilight Zone" twist-ending, was such a hit that CBS green-lit the writer's proposed science-fiction series.

HIS FAVORITE "TWILIGHT ZONE" EPISODE WAS "TIME ENOUGH AT LAST."

Of the many "Twilight Zone" episodes that he penned, Serling's favorite was "Time Enough at Last." Adapted from a short story, the episode tells the tragic tale of a myopic bank teller with a love for literature who falls victim to a classic twist ending. Serling's favorite episode written by someone other than himself was "The Invaders," penned by Richard Matheson.

"THE TWILIGHT ZONE" WAS CANCELLED TWICE.

Despite its many awards, critical acclaim and loyal fan base, "The Twilight Zone" drew only modest ratings and was cancelled and revived twice during its five years and 156 episodes (92 of which were penned by Serling). A weary Serling did not oppose the third an final cancellation of the series in 1964.

HE MADE "A CHRISTMAS CAROL" POLITICAL.

Serling brought a political spin to Charles Dickens' "A Christmas Carol" in 1964 with television film "A Carol for Another Christmas," in which Serling uses the classic story to make a plea for world peace. Telecast only once, the apocalyptic Christmas special features Peter Sellers as a demagogue ruling the wreckage of a ruined world during the "Ghost of Christmas Future" sequence.

HE WAS UNHAPPY WITH "NIGHT GALLERY."

Steeped more in horror than science fiction, Serling hosted "Night Gallery" and would write more than a third of its episodes -- however, he rejected an offer to retain creative control, a decision he would come to regret. By season three many of his contributions were being rejected or heavily altered, leaving him disgruntled and, reportedly, hotly dismissing the show as "Mannix in a cemetery."

HE WROTE A WESTERN AND STARRED IN AN ESSAY SERIES.

After the cancelation of "The Twilight Zone," Serling wrote the Western television series "The Loner," which aired from Fall of 1965 to Spring of 1966. When he refused CBS' request for more action and less focus on characters, the show was doomed. Years later in 1970, "Rod Serling's Wonderful World of…" debuted on KNXT in Los Angeles. The show served as Serling's soapbox to deliver stylized essays on any number of social ills. The series lasted 13 weeks.

HE RETURNED TO RADIO IN THE 1970s.

In 1973, Serling returned to radio with "The Zero Hour," a drama anthology series that featured tales of mystery, adventure and suspense. His final radio performance, recorded just a few weeks before his death, was "Fantasy Park." The program was a fictitious 48-hour-long rock concert that aired over Labor Day weekend. The imaginary concert, hosted by Serling, was achieved using live-in-concert recordings, crowd noise and other effects.

HE WAS A TEACHER.

Always busy with writing or producing his work, Serling somehow found time to teach. From the early 1960s until the time of his death, he taught college courses on subjects including film criticism, writing, and drama.

HE DIED TOO SOON, AT AGE 50.

Having survived the daily threat of death in the Pacific during Word War II, it was ultimately a series of heart attacks, perhaps due in part to his heavy smoking, that resulted in the untimely end of Serling's life in 1975. Sadly, he was only 50 years old.

Thursday, February 16, 2017

Pattern Seeking: Finding Order in Chaos
















































From yee Wiki:
Apophenia /æpoʊˈfiːniə/ is the human tendency to perceive meaningful patterns within random data.
The term apparently dates back to 1958, when Klaus Conrad published a monograph titled Die beginnende Schizophrenie. Versuch einer Gestaltanalyse des Wahns ("The onset of schizophrenia: an attempt to form an analysis of delusion"), in which he described in groundbreaking detail the prodromal mood and earliest stages of schizophrenia. He coined the word "Apophänie" to characterize the onset of delusional thinking in psychosis. Conrad's theories on the genesis of schizophrenia have since been partially, yet inconclusively, confirmed in psychiatric literature when tested against empirical findings.
Conrad's neologism was translated into English as "apophenia" (from the Greek apo [away from] + phaenein [to show]) to reflect the fact that a person with schizophrenia initially experiences delusion as revelation.
In 2001 neuroscientist Peter Brugger referenced Conrad's terminology and defined the term as the "unmotivated seeing of connections" accompanied by a "specific experience of an abnormal meaningfulness."
Apophenia has come to imply a universal human tendency to seek patterns in random information, such as gambling.















Thursday, July 11, 2013

Networks: Philip Taaffe Pattern Paintings






From yee Wiki:

An admirer of Henri Matisse’s cut-outs and of Synthetic Cubism, from the mid-1980s Philip Taaffe (b. 1955) began to borrow images and designs directly from more recent artists.

In We Are Not Afraid (1985), he develops Barnett Newman’s zip motif into a spiral; the title is a reply to Newman’s series of paintings Who’s Afraid of Red, Yellow and Blue (1966–70). In Defiance (1986), he reinterprets work by Op Artist Bridget Riley.

Taaffe's first solo exhibition was in New York in 1982. He has since been included in exhibitions at Carnegie International, two Sydney Bienniales, and three Whitney Bienniales. His work is held in the Museum of Modern Art, New York, the San Francisco Museum of Modern Art, the Philadelphia Museum of Art, and the Whitney Museum of American Art.

Taaffe's work often blends motifs from multiple cultures.







Friday, August 3, 2012

Manuel Lima Visual Complexity: Mapping Patterns of Information Slideshare Link


As a former art and design instructor, I had to have this art book once I learned of it, so I ordered a copy from Amazon. The link below will take you to a slideshare site with many of the visuals from the book.




Visual Complexity: Mapping Patterns of Information by Manuel Lima

Our ability to generate information now far exceeds our capacity to understand it. Finding patterns and making meaningful connections inside complex data networks has emerged as one of the biggest challenges of the twenty-first century. In recent years, designers, researchers, and scientists have begun employing an innovative mix of colors, symbols, graphics, algorithms, and interactivity to clarify, and often beautify, the clutter. From representing networks of friends on Facebook to depicting interactions among proteins in a human cell, Visual Complexity presents one hundred of the most interesting examples of information-visualization by the field's leading practitioners.
"Visual Complexity is a showcase for the intersection of art, design and science...Some of the examples are indeed silly. Some are profound. Many are decidedly beautiful. And all are fascinating, given the infinite kinds of data that can be visualized." -- New York Times Book Review


"A rigorously researched, beautifully designed, thoughtfully curated anthology of the world's most compelling work at the intersection of two relatively nascent yet increasingly powerful techno-cultural phenomena, network science and information visualization....A powerful tool in your visual literacy arsenal for navigating the Information Age. From the Bible to Wikipedia edits to the human genome, the gorgeous and thought-provoking visualizations in the book will make you look at the world in a whole new way, and the insightful essays accompanying them will vastly expand your understanding of the trends and technologies shaping our ever-evolving relationship with information." -- Brain Pickings

"Artistic analysis...tremendous potential for shaping how we understand our world...if you are the type who obsesses on Google Analytics or just feel the need to nerd out for a bit, pick up a copy." --Cool Hunting

"From genealogical patterns in medieval tapestries to the math behind fractals, Lima, a senior UX design lead for Bing, shows how designers turn complex patterns into compelling artwork." -- Wired

"Incredibly ambitious, deeply researched, and beautifully illustrated." --frieze
"Intellectually ambitious...the author engages this heady material with a surprisingly sharp and lucid eye." -- Metropolis

"Manuel Lima, the New York-based founder of visualcomplexity.com, works at the forefront of network science and information visualization. Appropriately, his book Visual Complexity cuts through digital clutter, using colorful examples to illustrate these fields." -- Surface magazine
About the Author
Manuel Lima is the founder of VisualComplexity.com and a Senior UX Design Lead at Microsoft. He is a Fellow of the Royal Society of Arts and was nominated by Creativity magazine as "one of the 50 most creative and influential minds of 2009".

Manuel Lima is a leading voice on information visualization and a frequent speaker in conferences and schools around the world, including TED, Lift, OFFF, Reboot, VizThink, IxDA Interaction, Royal College of Art, NYU Tisch School of the Arts, ENSAD Paris, University of Amsterdam, MediaLab Prado Madrid.

Here's the slideshare link:

http://www.slideshare.net/manulima