Monday, November 19, 2018

Ruth Asawa















Activist, sculptor, and educator Ruth Aiko Asawa was born in 1926 in Norwalk, California to Japanese immigrant parents who made a living as farmers. As a child, Asawa dreamed of being an artist while she helped out on the family farm. 

In 1942, she was separated from her father when he was arrested in February under emergency legislation that authorized the detention of Japanese Americans during the Second World War. Four months later, the rest of the family was taken to the internment camp at Santa Anita Race Track, where they were housed in former horse stalls for five months, before being moved to another internment camp, in Rohwer, Arkansas. 

Among the many people detained at Santa Anita were two cartoonists from Disney Studios who held daily art lessons for the children. Despite the trauma of internment, Asawa was able to draw for hours every day. When she was moved to Arkansas, she became the art editor of the camp’s high school yearbook.

In 1943, Asawa obtained permission to attend college. With funds from a Quaker scholarship, she enrolled at Milwaukee State Teachers College in Wisconsin with the intent of becoming an art teacher. However, she was unable to complete her degree because prejudice against Japanese Americans prevented her from getting the classroom teaching hours that were required. 

In 1946, Asawa transferred to Black Mountain College in North Carolina, where she studied with Buckminster Fuller and Josef Albers. While she was at Black Mountain, she took a trip to Mexico in 1947. While there, she attended a workshop on how to create baskets by crocheting wire and was inspired by this folk method of basket making.

After graduating from Black Mountain in 1949, Asawa moved to San Francisco, where she settled permanently. She began experimenting with wire crocheting techniques, creating sculptures that, “turned inside into outside and . . . made no distinction between interior and exterior so that a free flow of form and space was produced.” 

These intricate works began to earn her recognition in the 1950s with her first solo exhibition taking place in 1956 at Peridot Gallery in New York City. Afterwards, her work was included in exhibitions at the Whitney Museum of American Art and the Museum of Modern Art in 1958 and 1959 respectively. 

In addition to her crocheted works, in 1962, Asawa made a series of large wall-mounted sculptures inspired by the internal structure of a desert plant. Initially, she had tried to sketch the plant but unsatisfied with the results, she decided to “draw” it in wire instead. The results were beautifully intricate multiple forms that, while made from metal, were delicate, organic shapes. With light and shadow play these metal wire sculptures seem to exist in two worlds, both corporeal and ethereal.





Saturday, November 17, 2018

My 1975 Comic Book Show at the Sears Mall in Anchorage, Alaska













RIP Stan Lee



Thank you for all the years of fun, Stan Lee

You and the Marvel Bullpen (and "Brand Echh" too) added a tremendous joy to the long, dark, and cold winter nights I had growing up in Anchorage, Alaska. 

Here I am sorting my "lesser" comics, c. 1977. I had been collecting for 15 years by that point. What fun it was to be a fan. I loved sorting and playing with my stacks of "raw" comics. I read them all!

Jack Kirby and Stan Lee, c. 1985



This signed copy of Silver Surfer #4 just sold at auction for over $28,000!


Wednesday, November 7, 2018

Eames Office/Studio Art Books

Charles and Ray Eames



Charles and Ray Eames



Another massive Eames Office/Studio art /design monograph that I picked up today. Here it is next to another gargantuan collection that I bought earlier. 

Overkill collecting at its finest -- no doubt due to "conditioning" from my many, many years as a comic book-collecting "completist."

Timing: James Surls at SMU

James Surls 



James Surls 



James Surls 



James Surls 



James Surls 



James Surls 


Timing is everything. The great Texas sculptor and teacher James Surls only taught at SMU from 1970-1975. That's 10 regular semesters (not counting any special Summer sessions). 

I had him for an introductory studio art "foundation" course, "Materials and Concepts (3-D)," in 1974 or 1975. Around this same time Surls had an artistic "breakthrough" and created many of his seminal wood pieces. The works from this era still rank among my favorites. 

I had the best -- instruction from this visionary artist -- right off the bat. It was lucky timing, plain and simple. "Must be present to win."





Saturday, October 20, 2018

Hobo Nickel Art

Hobo Nickel



Hobo Nickel



Hobo Nickel



Hobo Nickel


From yee Wiki:

The hobo nickel is a sculptural art form involving the creative modification of small-denomination coins, essentially resulting in miniature bas reliefs. The US nickel coin was favored because of its size, thickness, and relative softness. However, the term hobo nickel is generic, as carvings have been made on many different denominations.

Due to its low cost and portability, this medium was particularly popular among hobos, hence the name.