Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts

Monday, July 24, 2017

Rod Serling

Rod Serling


My man, Rod Serling -- tops.

One of television's brightest, most literate pioneers and a true believer in the medium, Rod Serling was known as the "angry young man" of Hollywood early on in his career, clashing with studios and sponsors in his quest to loosen the corporate grip of censorship and write freely on controversial topics.

The man would maintain that outspokenness as an artist and a thinker throughout his career. Today, the acclaimed writer is most revered for having had the ability to produce works of drama that probe the human psyche in an imaginative and thoroughly unique way, many demonstrating a deep love for humanity and the belief in the possibility of a better tomorrow.

From "The Twilight Zone" to "Night Gallery" and everything before and after, here are some fascinating facts about Rod Serling.

HE FOUGHT IN WORLD WAR II.

Serling enlisted in the U.S. Army the morning after his high school graduation. He served with the 511th Parachute Infantry Regiment of the 11th Airborne Division. Sent to the Pacific Theatre, Serling fought on the Philippine island of Leyte, was part of the force that took Manila back from the Japanese and later was assigned to the occupation force in Japan. Among his military decorations are the Purple Heart, the Bronze Star, and the Philippine Liberation Medal.

HE WAS A BOXER.

Having always had an interest in sports, Serling became a boxer while training in the Army. Rising to the second round of the division finals before being knocked out, he competed as a flyweight and had 17 bouts. Serling suffered a broken nose in both his first and last bout.

HE PARTICIPATED IN INSANELY DANGEROUS AIR FORCE EXPERIMENTS.

While in college, Serling made extra money testing equipment for the United States Air Force. Some of the parachute jumps and other experimental tests were so hazardous that he would be paid anywhere from $500 to $1,000 per stunt, sometimes being paid half up front and promised the other half if he should survive.

HIS FIRST WRITING ACCOLADE CAME IN COLLEGE FOR A RADIO SCRIPT.

The budding writer submitted a script to the annual writing contest of radio program, "Dr. Christian." Of the thousands submitted, Serling's script was one of the few selected for broadcast. He won a trip to New York City and $500 for "To Live a Dream." Another winner was Earl Hamner, Jr., who would go on to write scripts for "The Twilight Zone."

HIS FIRST BIG HIT WAS A LIVE TELEVISION PROGRAM CALLED "PATTERNS."

Serling's big break came in 1955 when the freelance writer's 72nd script was chosen for a live television broadcast on the nationwide "Kraft Television Theatre." The episode was called "Patterns" and dramatized the power struggle between a veteran corporate boss and a bright young executive. While Serling didn't think the script was anything special, after the program's broadcast his life would never be the same.

HE WAS A STAUNCH OPPONENT OF CENSORSHIP.

The early years of television were beset by stifling corporate censorship. Looking to circumvent the watering down of his social and political commentary, Serling devised the plan of creating his own show that would employ a science-fiction format, a format that would allow the exploration of ideas thought too controversial for reality-based drama. This, of course, was the genesis of "The Twilight Zone."

THE FIRST "TWILIGHT ZONE" EPISODE WENT TO "DESILU PLAYHOUSE."

When Serling submitted a script to CBS as the pilot pitch for "The Twilight Zone," the network gave it to "Westinghouse Desilu Playhouse." The 1958 episode, "The Time Element," featuring a man plagued by vivid nightmares and a quintessentially "Twilight Zone" twist-ending, was such a hit that CBS green-lit the writer's proposed science-fiction series.

HIS FAVORITE "TWILIGHT ZONE" EPISODE WAS "TIME ENOUGH AT LAST."

Of the many "Twilight Zone" episodes that he penned, Serling's favorite was "Time Enough at Last." Adapted from a short story, the episode tells the tragic tale of a myopic bank teller with a love for literature who falls victim to a classic twist ending. Serling's favorite episode written by someone other than himself was "The Invaders," penned by Richard Matheson.

"THE TWILIGHT ZONE" WAS CANCELLED TWICE.

Despite its many awards, critical acclaim and loyal fan base, "The Twilight Zone" drew only modest ratings and was cancelled and revived twice during its five years and 156 episodes (92 of which were penned by Serling). A weary Serling did not oppose the third an final cancellation of the series in 1964.

HE MADE "A CHRISTMAS CAROL" POLITICAL.

Serling brought a political spin to Charles Dickens' "A Christmas Carol" in 1964 with television film "A Carol for Another Christmas," in which Serling uses the classic story to make a plea for world peace. Telecast only once, the apocalyptic Christmas special features Peter Sellers as a demagogue ruling the wreckage of a ruined world during the "Ghost of Christmas Future" sequence.

HE WAS UNHAPPY WITH "NIGHT GALLERY."

Steeped more in horror than science fiction, Serling hosted "Night Gallery" and would write more than a third of its episodes -- however, he rejected an offer to retain creative control, a decision he would come to regret. By season three many of his contributions were being rejected or heavily altered, leaving him disgruntled and, reportedly, hotly dismissing the show as "Mannix in a cemetery."

HE WROTE A WESTERN AND STARRED IN AN ESSAY SERIES.

After the cancelation of "The Twilight Zone," Serling wrote the Western television series "The Loner," which aired from Fall of 1965 to Spring of 1966. When he refused CBS' request for more action and less focus on characters, the show was doomed. Years later in 1970, "Rod Serling's Wonderful World of…" debuted on KNXT in Los Angeles. The show served as Serling's soapbox to deliver stylized essays on any number of social ills. The series lasted 13 weeks.

HE RETURNED TO RADIO IN THE 1970s.

In 1973, Serling returned to radio with "The Zero Hour," a drama anthology series that featured tales of mystery, adventure and suspense. His final radio performance, recorded just a few weeks before his death, was "Fantasy Park." The program was a fictitious 48-hour-long rock concert that aired over Labor Day weekend. The imaginary concert, hosted by Serling, was achieved using live-in-concert recordings, crowd noise and other effects.

HE WAS A TEACHER.

Always busy with writing or producing his work, Serling somehow found time to teach. From the early 1960s until the time of his death, he taught college courses on subjects including film criticism, writing, and drama.

HE DIED TOO SOON, AT AGE 50.

Having survived the daily threat of death in the Pacific during Word War II, it was ultimately a series of heart attacks, perhaps due in part to his heavy smoking, that resulted in the untimely end of Serling's life in 1975. Sadly, he was only 50 years old.

Monday, January 25, 2016

Frank R. Paul: Science Fiction Master

Frank R. Paul


Frank R. Paul


Frank R. Paul


Frank R. Paul


Frank R. Paul


Frank R. Paul


Frank R. Paul


Frank R. Paul

"One glance at a Paul illustration can change your life forever. I was eight years old when I laid eyes on an illustration he did for A. Hyatt Verrill story about a world of giant ants. It made me want to be a part of a world of imagination and within a few years I fell completely in love with science fiction -- all from this one illustration." -- Ray Bradbury







Monday, August 31, 2015

The Many Masks of W. T. Benda

W. T. Benda


W. T. Benda


W. T. Benda




W. T. Benda


W. T. Benda


W. T. Benda


W. T. Benda


W. T. Benda












Tuesday, August 26, 2014

Leo and Diane Dillon Illustrations



























Leo and Diane Dillon

Leo and Diane Dillon are among the most talented and versatile illustrators in the United States. Their work has been an outstanding contribution to children of all races and cultures.

Leo Dillon and Diane Sorber were born eleven days apart in 1933 --  Leo in Brooklyn, New York, and Diane near Los Angeles, California. When they met at Parsons School of Design in New York City in 1954, each already aspired to a life of art. Meeting first through one another's artwork, they immediately recognized the talent and mastery of the other. Over the years, their competitive friendship evolved into a lasting marriage and artistic partnership. “We've worked together for 40 years. In 1997 we celebrated our 40th anniversary and we completed our 40th book, To Every Thing There Is a Season.”

Versatility, diversity, research, and integrity have remained characteristics of the Dillons' work, which ranges from African folktales to Scandinavian epics, from fantasy to science fiction. In addition to two Caldecott Medals (for Ashanti to Zulu and Why Mosquitoes Buzz in People's Ears), the Dillons have received four New York Times Best Illustrated Awards, four Boston Globe/Horn Book Awards, two Coretta Scott King Awards, and the Society of Illustrators Gold Medal.

There are two major messages the Dillons want to convey. The first is that all people, whatever their culture or race, experience the same things. "We all have a lot in common. It is our beliefs that divide us. We have little control over what life brings us but we can change our thoughts." The second is that since the beginning of history, people have expressed themselves in wonderful and unique ways. "Art in its many forms has survived to inform us of lives long gone. Art inspires, lifts our spirits, and brings beauty to our lives. We wish to pay homage to it and the people who created it."

Leo and Diane have one son, Lee, who is also a talented painter, sculptor, and jewelry craftsman. They live in New York City.






Sunday, May 27, 2012

Jeffrey Jones (1944-2011): Fantasy Master

  
by Don Mangus, Heritage Auctions, HA.com newsletter, 2011

With the passing of Jeffrey Jones, fantasy art has lost one of its stellar talents. On at least one occasion the great Frank Frazetta himself was said to have proclaimed Jones "the greatest living painter." As IDW Publishing, producers of the lavish monograph, Jeffrey Jones: A Life in Art, put it, "Over the past 40 years, there have been few artists who have received as much acclaim and garnered as much attention as Jeffrey Jones."

Like so many young fantasy artists, Jones began his career as an enthusiastic fanzine contributor. In the late sixties and early seventies, he sporadically appeared in mainstream comics, along the way creating an early yarn that debuted in Charlton's Flash Gordon #13, a handful of moody Gothic romance covers for DC, a brood of blood-chilling horror blockbusters for Warren, Skywald, and Major Magazines, and a delightful smattering of Underground and Ground-level comix.

By the mid-sixties, Jones had established himself as a prolific, much-in-demand paperback cover artist, and he often painted in a bravura style that was inspired by such giants of "the Golden Age of Illustration" as Howard Pyle, Harvey Dunn, Dean Cornwell, J. C. Leyendecker, and N. C. Wyeth.

Among Jones' regular comic features was the whimsical and poetic "Idyl" for National Lampoon and "I'm Age" for Heavy Metal.

From 1975-79 Jones shared a work space in Manhattan's Chelsea district with fellow artists Bernie Wrightson, Barry Windsor-Smith, and Michael W. Kaluta. The group was collectively dubbed "The Studio" by fandom, and in 1979, Dragon's Dream produced a celebrated volume of their work by that name.

Underwood Books, publishers of the splendid, in-depth 2002 monograph, The Art of Jeffrey Jones, aptly noted, "Comfortable as both a book cover illustrator and as a comic artist, Jeffrey Jones gained a large and loyal following that resulted in the artist being honored with a World Fantasy Award for Best Artist. Though he left the commercial field in the late eighties to devote full attention to fine art, Jones continued to explore the worlds of science fiction and fantasy — sometimes heroic, sometimes erotic, occasionally hilarious, and always breathtakingly beautiful."

Jeffrey Jones' glorious legacy of fine artworks assures that this artist will long be remembered as one of the greatest talents of our generation. We offer our heartfelt condolences and best wishes to the family, friends, and fans of this unique, evocative, and ethereal artist.