Showing posts with label design. Show all posts
Showing posts with label design. Show all posts

Wednesday, November 7, 2018

Eames Office/Studio Art Books

Charles and Ray Eames



Charles and Ray Eames



Another massive Eames Office/Studio art /design monograph that I picked up today. Here it is next to another gargantuan collection that I bought earlier. 

Overkill collecting at its finest -- no doubt due to "conditioning" from my many, many years as a comic book-collecting "completist."

Saturday, September 8, 2018

Bring Back the Future of the Past!

























From yee Wiki:

Mid-Century Modern (MCM) is the design movement in interior, product, graphic design, architecture, and urban development from roughly 1945-1975. The term, employed as a style descriptor as early as the mid-1950s, was reaffirmed in 1983 by Cara Greenberg in the title of her book, Mid-Century Modern: Furniture of the 1950s (Random House), celebrating the style that is now recognized by scholars and museums worldwide as a significant design movement.

The Mid-Century modern movement in the U.S. was an American reflection of the International and Bauhaus movements, including the works of Walter Gropius, Florence Knoll, Le Corbusier and Ludwig Mies van der Rohe. Although the American component was slightly more organic in form and less formal than the International Style, it is more firmly related to it than any other. Brazilian and Scandinavian architects were very influential at this time, with a style characterized by clean simplicity and integration with nature. 

Like many of Frank Lloyd Wright's designs, Mid-Century architecture was frequently employed in residential structures with the goal of bringing Modernism into America's post-war suburbs. This style emphasized creating structures with ample windows and open floor plans, with the intention of opening up interior spaces and bringing the outdoors in. Many Mid-century houses utilized then-groundbreaking post and beam architectural design that eliminated bulky support walls in favor of walls seemingly made of glass. Function was as important as form in Mid-Century designs, with an emphasis placed on targeting the needs of the average American family.

In Europe the influence of Le Corbusier and the CIAM resulted in an architectural orthodoxy manifest across most parts of post-war Europe that was ultimately challenged by the radical agendas of the architectural wings of the avant-garde Situationist International, COBRA, as well as Archigram in London. A critical but sympathetic reappraisal of the internationalist oeuvre, inspired by Scandinavian Moderns such as Alvar Aalto, Sigurd Lewerentz and Arne Jacobsen, and the late work of Le Corbusier himself, was reinterpreted by groups such as Team X, including structuralist architects such as Aldo van Eyck, Ralph Erskine, Denys Lasdun, Jorn Utzon and the movement known in the United Kingdom as New Brutalism.

Pioneering builder and real estate developer Joseph Eichler was instrumental in bringing Mid-Century Modern architecture ("Eichler Homes") to subdivisions in the Los Angeles area and the San Francisco Bay region of California, and select housing developments on the east coast. George Fred Keck, his brother Willam Keck, Henry P. Glass, Ludwig Mies van der Rohe, and Edward Humrich created Mid-Century Modern residences in the Chicago area. Mies van der Rohe's Farnsworth House is extremely difficult to heat or cool, while Keck and Keck were pioneers in the incorporation of passive solar features in their houses to compensate for their large glass windows.






Saturday, June 9, 2018

George Nakashima















George Nakashima



George Nakashima



George Nakashima



George Nakashima



George Nakashima








Monday, April 16, 2018

Charles Eames and Ray Eames







Charles Eames and Ray Eames



Charles Eames and Ray Eames



Charles Eames and Ray Eames



Charles Eames and Ray Eames



Charles Eames and Ray Eames



Charles Eames and Ray Eames



Charles Eames and Ray Eames









Wednesday, April 11, 2018

Charles and Ray Eames House

Charles Eames and Ray Eames



Charles Eames and Ray Eames



Charles Eames and Ray Eames



Charles Eames and Ray Eames



Charles Eames and Ray Eames


Charles Eames and Ray Eames



Charles Eames and Ray Eames






Wednesday, March 21, 2018

Jean Perzel: Beautiful Lamps

Jean Perzel 



Jean Perzel 



Jean Perzel 



Jean Perzel 



Jean Perzel 



Jean Perzel 


Jean Perzel was a German-born French glassmaker, goldsmith, and designer. A highly successful and influential figure of the early 20th-Century design world, his eponymous lighting company continues to operate to this day. Born on May 2, 1892 in Bavaria, Germany, Perzel went on to work and live in Paris as a glassmaker, becoming a naturalized French citizen after serving in the Foreign Legion during World War I.

In 1923, he established his own company specializing in modern lighting. Perzel notably created original works for the King of Belgium, the French presidents Georges Pompidou and Charles De Gaulle, and other world dignitaries. He died in 1986 in Paris, France. 






Wednesday, March 7, 2018

Eames Office: Mathematica: A World of Numbers -- and Beyond

Eames Office



Eames Office



Eames Office



Eames Office



Eames Office



Eames Office



Eames Office



Eames Office



Eames Office



I finally found a reasonably-priced copy of this "must-have" Charles an Ray Eames and Eames Office book, based on the ground-breaking exhibit.

The famed exhibition about “the world of numbers...and beyond,” now goes on permanent display at The Henry Ford Museum in Dearborn, Michigan.

After caring for "Mathematica" for many years, the Eames Office found the perfect home for it in 2015, when The Henry Ford acquired the exhibition for permanent display. The museum lovingly repairing the show’s components and opened the exhibition for all to enjoy on September 23, 2017.

The show "cracks the world of mathematics wide-open," allowing novices and experts alike to create new and exciting connections between math and the everyday world.

"Mathematica" is just as inspiring today as it was when legendary designers Charles and Ray Eames first created it in 1961. The duo pioneered the interactive exhibition format and demonstrated how to make kinetic, experiential learning environments that are as fun as they are educational.

The Eames Office created a total of three versions of "Mathematica." All three are on view for visitors to experience and enjoy today. The first is on display at the New York Hall of Science; it was initially created for the IBM Pavilion at the 1964 New York World’s Fair. The second version can be seen at The Museum of Science in Boston.

The third version was originally on view at the Pacific Science Center in Seattle before becoming the property of the Eames family; this version, which includes interactive elements unique to it, has found a wonderful new home at The Henry Ford.