Showing posts with label Paul Klee. Show all posts
Showing posts with label Paul Klee. Show all posts

Wednesday, July 26, 2017

Harry Bertoia: Sonambient Sound Sculpture Recordings - The VintageVinyl LP Covers

Harry Bertoia



Harry Bertoia



Harry Bertoia



Harry Bertoia



Harry Bertoia


Harry Bertoia



Harry Bertoia



Harry Bertoia



Harry Bertoia



Harry Bertoia



Harry Bertoia


These are the original vinyl LP album titles. Harry Bertoia's work fascinates me. I had never heard of him until recently -- when I began learning about Mid-Century Modern design. He is such a creative artist that I put him on a par with Paul Klee. I don't recall learning about him at all in my art school years of the seventies. He's really something. 

You can hear some of his "Somambient" recordings for free on YouTube. I enjoy playing them at a low volume level right as I start to lay down to go to sleep.















Sunday, November 29, 2015

Paul Klee: Catalogue Raisonne - Nine Volume Set











Why simply do when you can totally overdo? 5,000 pages of every art piece Paul Klee did. Merry Excessmas to me....


Paul Klee Catalogue Raisonne: Nine-Volume Set

Paul Klee (1879-1940) is one of the most significant and best-loved artists of the twentieth century. For the nine volumes of this landmark in Paul Klee scholarship, the Berne-based Paul Klee Foundation has researched intensively the artist's 9,600 drawings, prints, watercolors, and oil paintings, allowing the artist's complete works to be assembled and published for the first time. 

Presenting Klee's oeuvre in chronological order, each volume contains an introduction in German and English, an explanation of the catalogue system, a German-English glossary, a bibliography, and indexes. All the entries are illustrated and include catalogue numbers, technical descriptions, measurements, references to related works, details of provenance and location, relevant literature, and a list of exhibitions and auctions in which works have appeared. Klee's own entries from the catalogue he wrote from 1911 onwards are also included, and the most important works of his career are illustrated in color.

For example, Volume III follows Klee from 1919 through 1922, when he taught at the Bauhaus and became particularly involved with Bauhaus theater. Many of his works from this period -- masks, clowns, acrobats, ballet dancers -- reflect the influence of drama, ballet, the circus, and cabaret performances. 

This monumental set of publications is an essential reference work for libraries, art resources, and lovers of Klee's poetic, imaginative, and wholly original work.



Friday, November 27, 2015

Paul Klee: "Paul Klee Aux Sources de la Peinture"

























Paul Klee Aux Sources de la Peinture, Roy, Claude, Paris, ale Club Francaisdu Livre, 1963. First Edition. Hardcover; First Printing. 12,000 copies. Quarto of approximately 127 pages; tipped-in color plates plus numerous black and white illustrations.






Paul Klee: Hand Puppets





































Between 1916 and 1925 Paul Klee (1879-1940) made some 50 hand puppets for his son, Felix, of which 30 are still in existence. 

For the heads, he used materials from his own household: beef bones and electrical outlets, bristle brushes, leftover bits of fur and nutshells. Soon he began to sew costumes. 

These characters and small works, do not pretend to be great art, but at the same time, they are superbly imaginative, sweetly reminiscent of Klee's relationships with his family, and beautifully illustrative of the artistic and social developments of the time. 

Readers will see the chrological proximity of Dada and Kurt Schwitters's collages in Klee's Matchbox Ghost; the German National caricatures one of the era's more omius political types. 

An introductory essay tracks the work's links to other avant-garde puppetry and to Klee's sculptural works, and to his connections to the theater. For their part, Klee's son Felix and his grandson Alexander tell the story of how the figures were created.












Monday, August 10, 2015