Showing posts with label Beat. Show all posts
Showing posts with label Beat. Show all posts

Wednesday, May 10, 2017

Jack Kerouac Quotes

Jack Kerouac



Jack Kerouac



Jack Kerouac



Jack Kerouac



Jack Kerouac



Jack Kerouac


Jack Kerouac's subject was himself and his method was to write as spontaneously as possible by threading a hefty roll of teletype paper into his typewriter and setting down his story on one continuous sheet. What resulted he would later transcribe for forwarding to his publisher, but never revise, in principle, for he regarded revision as a form of lying.

Truman Capote called Mr. Kerouac's method of composition typing, not writing. But Allen Ginsberg, who regarded his friend as the greatest American poet of his time, declared that Mr. Kerouac had created "a spontaneous bop prosody."

Mr. Ginsberg appears in Kerouac novels under a variety of names -- Carlo Marx, Irwin Garden, Adam Moorad and Alvah Goldbook -- but is always immediately recognizable. 

This is true of all Mr. Kerouac's close friends, for there was little fiction in his novels.
As he painstakingly informed his readers in his long series of autobiographical works -- which he intended to be read, ultimately, in sequence as one novel -- Jack Kerouac was born in Lowell, Massachusettes, in 1922, the son of a French-Canadian printer.










Friday, July 19, 2013

Beat Visionary: Brion Gysin

My newest HPB art book purchase -- more art about patterns and networks:

Gadfly or Genius?  -- Genius!


Brion Gysin: Tuning in to the Multimedia Age by Jose Ferez Kuri (Editor)

This comprehensive biography presents the achievements of Brion Gysin, a multi-faceted artist whose work has influenced performers such as David Bowie and Mick Jagger.

Recalling the heady atmosphere of the so-called Beat Hotel in Paris in the late 1950s and 1960s, it features first-hand reminiscences by contemporaries, plus a biographical essay and chronological listings.

The book explains the invention of the cut-up technique and Brion Gysin's productive literary collaboration with William Burroughs. As well as looking at his work as a sound poet and performance artist, it features reproductions of his paintings and graphics, and examples of his permutated poems and other writings.

From Publishers Weekly:
Brion Gysin (1916-1986) was a U.S.-born cultural provocateur whose first 40 years found him, after a Canadian adolescence, flitting from career to career, as poet, painter, set designer (he assisted Irene Sharaff on a sheaf of major Broadway musicals in the 1940s), historian of the system of slavery in Canada and international gadabout in the homosexual coterie of Paul Bowles, Denham Fouts and Cecil Beaton.

When he became involved with William S. Burroughs at the so-called "Beat Hotel" in Paris in 1959, Gysin made a leap into literary and hipster history by inventing the "cut-up," joining together ripped sections of newspaper to form a nonlinear yet theoretically readable text. (Burroughs used this method, he claimed, in writing his novels The Soft Machine and Nova Express.)

Gysin also invented the "Dream Machine," a strobe-heavy sort of orgone box designed to drive its users into the systematic derangement of the senses foretold by Rimbaud.

The debate about Gysin will always be whether he was a lightweight gadfly or a great Leonardo-type genius with tragically limited appreciation of his accomplishments.

This book, coming out of a 1998 Gysin retrospective at the Edmonton Art Gallery, includes a plethora of Gysin documents and suggestive texts by a variety of art writers and Gysin geeks, should put Gysin's detractors on the defensive.

He did everything, and most of it's here: He showed with Picasso, posed for Carl Van Vechten, led Brian Jones to the Pipes of Boujouka in Morocco, preached the gospel of kif, recorded a kind of spoken-word jazz with Steve Lacy and used the Dream Machine to help design dozens of abstract "calligraphic" pictures (among 195 color and 60 b&w illustrations here).

The individual reader, of course, will decide whether it all means anything-or everything.

About the Author
Jose Ferez Kuri has been researching the life and work of Brion Gysin since 1986; in 1998 he was co-curator of the major Gysin retrospective held at the Edmonton Art Gallery.









Friday, July 12, 2013

The Donfather: Hipster Hypno-Don

From Urban Dictionary:



Hipsters are a subculture of men and women typically in their 20's and 30's that value independent thinking, counter-culture, progressive politics, an appreciation of art and indie-rock, creativity, intelligence, and witty banter. 

The greatest concentrations of hipsters can be found living in the Williamsburg, Wicker Park, and Mission District neighborhoods of major cosmopolitan centers such as New York, Chicago, and San Francisco respectively.

Although "hipsterism" is really a state of mind,it is also often intertwined with distinct fashion sensibilities. Hipsters reject the culturally-ignorant attitudes of mainstream consumers, and are often be seen wearing vintage and thrift store inspired fashions, tight-fitting jeans, old-school sneakers, and sometimes thick rimmed glasses.

Both hipster men and women sport similar androgynous hair styles that include combinations of messy shag cuts and asymmetric side-swept bangs. Such styles are often associated with the work of creative stylists at urban salons, and are usually too "edgy" for the culturally-sheltered mainstream consumer. The "effortless cool" urban bohemian look of a hipster is exemplified in Urban Outfitters and American Apparel ads which cater towards the hipster demographic.

Despite misconceptions based on their aesthetic tastes, hipsters tend to be well educated and often have liberal arts degrees, or degrees in maths and sciences, which also require certain creative analytical thinking abilities. Consequently many hipsters tend to have jobs in the music, art, and fashion industries. It is a myth that most hipsters are unemployed and live off of their parent's trust funds.

Hipsters shun mainstream societal conventions that apply to dating preferences and traditional "rules" of physical attraction. It is part of the hipster central dogma not to be influenced by mainsream advertising and media, which tends to only promote ethnocentric ideals of beauty. The concepts of androgyny and feminism have influenced hipster culture, where hipster men are often as thin as the women they date.

The muscular and athletic all-American male ideal is not seen as attractive by confident and culturally-empowered hipster women who instead view them as symbols of male oppression, sexism, and misogyny. 

Likewise, culturally-vapid sorority-type girls with fake blond hair, overly tanned skin, and "Britney Spears tube-tops" are not seen as attractive by cultured hipster males who instead see them as symbols of female insecurity, low self-esteem, and lack of cultural intelligence and independent thinking. 

Hipsters are also very racially open-minded, and the greatest number of interracial couples in any urban environment are typically found within the hipster subculture.

Although hipsters are technically conformists within their own subculture, in comparison to the much larger mainstream mass, they are pioneers and leaders of the latest cultural trends and ideals. 

For example, the surge of jeans made to look old and worn (i.e. "distressed"), that have become prevalent at stores such as The Gap, American Eagle, Abercrombie and Fitch, and Hollister, were originally paraded by hipsters who shopped in thrift stores years before such clothing items were mass produced and sold to the mainstream consumer.

The true irony here is that many of the detractors of hipster culture are in fact unknowingly following a path that hipsters have carved out years before them. 

This phenomena also applies to music as well, as many bands have become successful and known to mainstream audiences only because hipsters first found and listened to them as early-adopters of new culture. Once certain concepts of fashion and music have reached mainstream audiences, hipsters move on to something new and improved.

Because of the rise of various online photo-blog and social networking sites, insights into urban hipster culture is reaching sheltered suburban audiences at an exponential rate. Cultural "norms" have been deconstructed by hipster culture as a whole. 

Hipsterism is often dismissed as just an image thing by some, but the culture as a whole is effecting changes in society, leading to feelings of insecurity and resentment in people who are no longer a part of the cultural ruling class.

For example, a lot of anti-hipster sentiment evidently comes from culturally-clueless suburban frat boy types who feel that the more sensitive, intelligent, and culturally aware hipster ideal threatens their insecure sense of masculinity.

Anti-hipster sentiment often comes from people who simply can't keep up with social change and are envious of those who can.